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The melody has a long note every other bar and you can fill that up with an additional chord that pulls towards the next one. Here I am including Gb7 before F7, E7 before Ebmaj7 and Eb7 before D7, so I am utilizing a tritone substitution as an additional color in the arrangement.

Tum hi Ho Chord Melody Fingerstyle Tabs and How to video - Help you be a  better musician

I have actually thought of using Autumn Leaves as a way to show reharmonizations discussing 4 or 5 versions, let me understand in the remarks if that could be an interesting video. Later in the video, I likewise go over some alternatives for various interesting modifications. B-part Problem Resolving Taking the simplest solution In the B part, there are a few places where you need to determine how to harmonize the melody in a great way without making it too challenging, and really the first chord is currently getting us into difficulty A describe the solution the rest resembles the first A.

In this lesson, I will provide you some ideas for the tail end of the tune. The one that is the easiest to use, and similar to what you currently found earlier in the lesson.  Chord Melody Guitar Music  using Eb7 You can extend this by turning it into a total chromatic II V example.

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All-Time Standards - Jazz Guitar Chord Melody Solos - Guitar Solo - Hal  Leonard Online

And another variation that makes it an even longer parallel II V progression, quite similar to Wes' 4 on 6. A more radical, however still gorgeous harmonization is to utilize the bass movement of a II V, however then relocate parallel using other chords. This can be a little bit more challenging to get to work, however when it does then it is really beautiful as revealed below: Various types of chords for the last note.

Little Known Questions About Jazz Favorites For Solo Guitar Chord Melody Arrangements In.

It does require me to alter the melody. Another alternative that is really common and the favorite of lots of bass-players is to play a C7. Basically the C7 is simply a Gm6 with a C in the bass, and also the IV in the melodic small scale. The Neapolitan subdominant is a fantastic choice for the final note in a song.